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Maine Editorial Photographer/Photojournalist bio picture

Michele Stapleton : Photographer

Based in Brunswick, Maine (just east of Portland) I am a professional location photographer specializing in documentary photography for editorial, education & commercial clients. My photography takes me from my home in Brunswick to wonderful places all over Maine and New England.  

With an an ever-expanding collection of Maine stock photography, I am known for evocative images that use strong color, exceptional light and careful composition to create impact.

I belong to the American Society of Media Photographers, the Maine Professional Photographers Association, and the Professional Photographers Association of America, and was one of ten Maine photographers selected to participate in the America 24/7 project.

Thank-you for visiting my blog.


Maine strawberries: Fourth of July is right around the corner

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Nothing says “Fourth of July is right around the corner” like Maine strawberries. The sweet gems are one of summer’s many delights in Maine.

If you have the time, pack the kids in the car and harvest your own.

The Get Real Maine website of the Department of Agriculture  is chock full of information on pick-your-own farms.

It’s very easy to find a farm near you.

Or, if you don’t have the time, pick up berries at your local farmers’ market.

Get Real can also help you find a farmers markets nearby.

(The luscious berries in this picture came from the Brunswick Farmers’ Market, which is held Tuesdays and Fridays on the town green.)

Also, you might get lucky and run up on a vendor selling strawberries from a booth set up alongside a state highway.

This past week I ran up on a booth on Route 1 just outside of Wiscasset.

Normally, there is a huge booth on Route 3 on the outskirts of Ellsworth near the Home Depot.

If you pick your own and come back with too many to eat, visit the website for the Rome Strawberry Patch, which has a half dozen yummy-looking recipes for your berries.

Enjoy!

Pecha Kucha : a fun event for creative folks

Pecha Kucha is a fun new craze that is sweeping the world. In over 200 cities world-wide, it’s an event where creative people come together and share work in a very controlled format: each presenter can show 20 slides for 20 seconds, for a total presentation time of 6 minutes and 40 seconds. The strict format keeps things hopping!

My assistant Angie, her fiance Tim and I recently attended a Pecha Kucha in Portland and we had a blast. Among the 10 presenters that night were photographers, furniture makers, a filmmaker, an animator, an architect and an artist who draws only Labrador Retrievers. It was a fast-paced evening and we came away impressed with the presenters’ creativity.

The next Pecha Kucha will be June 15th right here in Brunswick, and I’m very excited to have been chosen to present that night. I’ve decided to expand on the “20 slides x 20 seconds” format by making my images from 20 unique places in Maine. So, no two slides will be from the same place. At first I worried that might be tough, but I’ve been fortunate to have assignments in so many wonderful places in Maine that it wasn’t hard to come up with 20 unique area to feature.  Below is a shot from a cabin on Daicey Pond in Baxter State Park as the sun rises behind Mount Katahdin.katahdin-sunrise

The Brunswick Pecha Kucha is being coordinated by the Five Rivers Arts Alliance and starts at 6 p.m. at Frontier Cafe, Cinema, & Gallery.  There will be two other photographer-presenters plus  a painter, an arts therapist, two furniture makers, a sculptor, a puppeteer, and a fiber artist. Reservation are recommended and can be made by emailing Five Rivers.

Bowdoin Commencement 2009: A day rich with traditions

This past Saturday we were very fortunate to cover Commencement exercises at Bowdoin College for the fourth year. While another company snaps a photo of each graduate as she or he is handed a diploma by Bowdoin President Barry Mills, my assistant Angie Devenney and I were hired by the College to capture the story of the entire day in a body of work that will be used to illustrate an article about graduation in the Bowdoin Magazine and to meet all sorts of marketing needs the college might have (calendar, web site, view books, slide shows, etc.)

Bowdoin Commencement is always fun to photograph because the day is filled with great traditions, starting with a grand parade through The Quad.

Seniors assembled in front of Baxter House where they donned caps and gowns, grabbed juice, coffee and blueberry muffins (one hardy senior brought his own blueberry ale!) and lined up in alphabetical order.09_commencement-1611

As the seniors milled around waiting for the start of the parade, it was fun to catch some of the great details, like these gorgeous stoles sported by members of the African-American Society09_commencement-1761 and the quirky Converse High Tops with lime laces worn by one senior.09_commencement-1641

While I started my day photographing the assembling seniors, Angie started the day shooting preparations in the ceremony area, and then climbing to the top of Hubbard Hall, the campus landmark at the south end of The Quad, from which she would get a aerial view of the festivities. It’s a precarious climb that requires carrying photo equipment up tight stairs and through a trap door onto the roof, but the climb pays off with a fantastic overview of the whole ceremony. (It’s good to have an assistant who isn’t afraid of heights!)

Here is a shot she took as the faculty were milling about in front of Hubbard, their staging area for the parade.09_commencement-2341

As the parade kicked off the seniors marched onto The Quad. Their first destination was to pass through the lined-up faculty. Here is a photo of the faculty in their colorful regalia as they took their places in front of Hubbard Hall. 09_commencement-2651 Class President Christian Adams led his class through as the faculty applauded the seniors’ achievement. 09_commencement-2891

The faculty traditionally joins the parade after the last senior passes, and at a later spot in the parade, the roles are reversed: The seniors stopped and flanked either side of the parade route and applauded the faculty as they entered the ceremony site and took their seats.09_commencement-3581

Bowdoin alumni play an important part of Commencement and they also joined the parade. It’s easy to spot the alums as they sport distinctive straw hats. Alums collect a round pins for each Commencement they attend, and some of the older alums had hats filled with pins.09_commencement-3711

The parade deposited seniors, faculty and alums at the seating set up in front of the Walker Art Museum. Here’s a great shot Angie got of the entire area from her perch on top of Hubbard.09_commencement-4681

What would a graduation ceremony be without speakers? At Bowdoin the tradition is to have students, chosen through competition, address their fellow graduates.  This year’s speakers were Samantha Scully and Ian Yaffe.09_commencement-495

Here are seated graduates listening to speakers; Angie found a child amusing herself with a stuffed Polar Bear, the school mascot.09_commencement-4831

Finally the time arrived for the awarding of degrees. Seniors lined up, many were nervous and excited at the same time as they waited their turn to walk up to the stage.09_commencement-6461

Parents and friends cheered as their graduate’s name was called. (Notice the martini glass; it will show up again in a later photo.)09_commencement-6691

Bowdoin College President Barry Mills personally handed out each diploma and shook each graduates’ hand.  09_commencement-591

Parents jockeyed for position to get pictures of graduates returning to their seats with diplomas in hand.09_commencement-6771

Finally, the ceremony ended with the traditional hat toss.
09_commencement-7321As the crowd filed out of the ceremony site, families and friends united to celebrate and take photos. Here’s a fun shot Angie got of some guys posing with celebratory cigars.09_commencement-7961

To wrap up the day there was a luncheon at the Field House complete with champagne toasts. (Yep, there’s the martini glass again.)09_commencement-8551

For even more photos, surf over to Bowdoin College’s Flickr site where hundreds of low resolution photos are posted from our coverage of Baccalaureate and Commencement. The easiest way to use Flickr is to click on the icon for the slideshow function on the right-hand side; the icon looks like a tiny screen. Prints of these images will be available for purchase from Bowdoin’s Printroom site beginning June 3, 2009.  For  in-depth coverage of the speeches and weekend events, check out the full write-up on the Bowdoin site.

How to dress for a portrait session

When we (everyone, not just professional photographers) look at photographs, our eyes go to the lightest part of the photo.

When a photo is a portrait of a person (or a group of people), the photographer wants your eyes to go to the face(s).

So, a photographer taking a portrait is going to want your face(s) to be the lightest part of the photo.

This means no white or very light colored blouses or shirts. Even for business portraits, men should select a shirt with at least some color; i.e, blue oxford cloth. People of color should consider deep colors like black.

laurie-glenn_028When picking clothes, remember that simple is good. Go for the classic, avoiding trends that will make your photo look dated in six months.

Avoid clothing with pictures, writing or large logos unless the pictures, writing or large logos relate specifically to the photos. In other words, no Budweiser tee shirt unless this photo is for a magazine story about binge drinking among teens; no Disney shirts unless this family portrait is in front of Cinderella’s Castle.

Loud colors, busy patterns, bold stripes, big plaids, polka dots, tank tops, mini skirts, and clothes that are baggy–or too tight–all call attention to the clothes, not the wearer. So avoid them. No short shorts past grade school.

Many photographers take portraits from above your eye level to hide double chins or wrinkled necks, and to minimize extra pounds. However, from this angle exposed cleavage is only enhanced. So women, please avoid low necklines. If you aren’t happy about your arms, neck, etc., wear a mock turtleneck or long sleeves.

Avoid any sudden (and potentially unflattering) changes immediately before the portrait– no tanning booth visit or haircut the week before your portrait.

What colors work best? Generally speaking, darker clothing will be more slimming than very light colors, but the best color for you is based on your own skin, eye and hair coloring.

You probably know which color you look best in, which outfit consistently brings you compliments. Avoid the temptation to go out and buy something new; instead go with the proven winner. If you are color blind or not sure what works best, ask a friend for help.

If you are having a group portrait taken (a family portrait for example), most likely you’ll want to coordinate everyone’s clothing. You might decide to wear matching outfits (e.g., navy mock turtlenecks with khaki pants), or you might be more subtle, coordinating clothes around a common color theme (jeans and jean skirts for grown-up, jean overalls for toddlers) and tops that go well together in a small range of colors (maybe a mix of chambray and navy?)

Don’t forget to consider your shoes and socks. Group portraits are often full-length, and you may not be able to hide your feet.

Wrinkles are difficult to remove effectively in photoshop, so if you’ve picked an outfit that wrinkles easily, iron it and then don’t put it on until the last minute.

A word about glasses: Folks who wear glasses only part of the time are encouraged to remove them as glasses catch all sorts of reflections which aren’t easily removed in photoshop. Remember to remove them 15 or so minutes before the session to give any little marks on the bridge of your nose time to go away. If your glasses auto-darken in sunlight, bring another pair that doesn’t. Or don’t wear them at all. If you must wear glasses, your optometrist might be able to lend you a pair of empty frames that match your own. brim_189

About ladies’ hair: Often our hair looks “big” immediately after it is washed and styled, so if you wash and style your hair on the day of a portrait, do it early in the day to give it time to settle. If you don’t usually wash your hair every day, wash your hair on the day before the shoot and just restyle that morning. (Stylists will tell you that day-old hair holds a style better than just-washed hair.)

Men who tend to have five o’clock shadows should plan a quick shave before the photo.

If you have a lazy eye, ears that always stick out in photos, or another feature you don’t like, be sure to mention it to the photographer. We can often pose you in a manner that eliminates or minimizes certain features.

And very important, get a good night’s sleep the night before to avoid bags or circles around your eyes.

More important than even your clothes, however, is to bring a great attitude to the portrait session. If your body language says “nervous,” the best-looking outfit in the world is not going to save the shoot. And, the session will take longer as the photographer tries to loosen you up and elicit a smile. If you are totally relaxed and your eyes and smile are genuinely friendly, your portrait will be friendly and the session can end sooner!

Postscript: Following these simple guidelines should ensure that your photo doesn’t end up on AwkwardFamilyPhotos.com

Please welcome second shooter Angie Devenney

I’m very pleased to have Angie Devenney photographing alongside me again this summer. Angie, who started as an office assistant in September of 2007, also shot with me in 2008.  Proficient in Adobe Photoshop, Lightroom and InDesign, Angie is also involved in editing and print making. And, she has her own photo web site.

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This is actually not her first foray into professional photography; during the summer of 2006 she assisted Boothbay Harbor photographer Bob Mitchell at weddings in the Boothbay Harbor-Southport Island area.

It’s probably envitable that Angie, who grew up in Jefferson (near Damariscotta), would end up working in some aspect of the arts. With a painter mom (Mary) who teaches high shcool art at Erskine Academy in China and wrote a rap song about the principals of design and a dad (Joe) who is an accomplished Maine stock and marine photographer with work published internationally, creativity is in her genes.

Informally, her immersion in art started at an early age, as both of her parents are also professional potters; many summers were spent making vases, urns, etc., that Mary and Joe sold through craft fairs, co-ops and as custom orders. Angie and her younger sister, Nina, helped out, “decorating” pieces with brown scribbles.

Angie’s formal training was at the Massachusetts College of Art and Design  in Boston, where she took courses in a wide range of discliplines (sculpture, glass, jewelry, ceramics) while pursuing a major in photography. With a focus on fine art photography Angie studied printing techniques, large format cameras and alternative photographic methods. During a semester abroad, she studied at Burren College of Art in Ireland, where she experimented with natural materials and mixed media, including this meticulous arrangement of flies:

flies

Immediately after college, Angie took a summer off from the arts to travel to Sitka, Alaska, where she worked at the Alaska Raptor Center, a rehabilitation center for injured bald eagles and other birds of prey on Baranof Island. Perhaps it wasn’t a total vacation from the arts, as she felt compelled to photograph the “cute, fuzzy mice” stored on site for feeding the center’s hawks, kestrels and owls.

Leaving Alaska before winter set in, Angie returned to Maine, settling in the Portland area, where she managed an after-school arts program for elementary students, an experience which made her pretty handy with pipe cleaners, popsicle sticks, Elmer’s glue and glitter.  In the meantime, she continued to pursue personal work in photography, exhibiting in galleries accross the Northeast, including the Portland Museum of Art (Biennial Show), and juried exhibits across the nation.  She has a show which opens next month at Khaki Gallery in Boston’s SOWA arts district. More details about the show are at Angie’s blog.

In her spare time she enjoys travel, camping, hiking, cooking, printmaking, alternative photographic process, and mixed media. And, most recently, she and fiance’, Tim, tackled the challenges of home ownership, buying a circa 1864 cape in South Portland, where they are painting, rehabbing hardwood floors, and gardening.

Below are two of Angie’s images from 2008 Commencement at Bowdoin College, one shot from ground level in front of Massachusetts Hall, the oldest building on campus, and the second, shot from the roof of Hubbard Hall, a campus landmark.bowdoin1

“LENS”: photojournalism blog @ New York Times online

This past week the New York Times unveiled a new photojournalism blog titled “Lens.”  In the initial launch, the Times editors promised to showcase outstanding work of not just their own photographers, but also other news photographers and possibly even reader-photographers.

Sounds like a blog worth bookmarking.

New portfolios are ready to go

Another fun part of the rebranding effort has been producing a real time portfolio to go with the one that is online (the web site.)

Back in 2001 when I first launched MicheleStapleton.com, choices for portfolios were very limited; most photographers purchased a nice black leather portfolio at an art supply store and then produced twenty or so custom enlargements to slip into its clear pages.

However, the advent of digital photography and the explosion in digital books has completely redefined what passes for a portfolio; today photographers can produce custom coffee table books, many can have full photo covers.

I stumbled upon White House Customs Color’s press printed books about this time last year, and immediately was a fan. I upload digital files from my computer in Maine to WHCC’s lab in Minnesota. Within a week UPS is at my door with the finished book. You just can’t beat that kind of service.

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And, the quality is superior to so many other press printed books I’ve had the chance to examine. The price is maybe half what I would have paid in 2001 for a nice art store binder and prints. So, it’s the perfect intersection of high quality, reasonable cost and quick turnaround.

Working with Dana Baldwin, a very talented graphic designer in Brunswick who also happens to be a neighbor, I enjoyed being part of the bookmaking process. I started by selecting 120 or so images for Dana to work with. From that group she picked about half for the final book, selecting images for  impact and how they worked together on spreads.

I’ve always appreciate the talent that a graphic designer brings to the table since I have a sister who is one, but I’ve not always gotten an inside look at the designer’s thought process. It was fun to hear Dana explain why pictures A, B, and C worked together on a spread, but pictures A, B and D definitely did not.

First Dana designed a general book, for commercial and editorial clients. It features a sampling of  landscape, portraiture, higher education, editorial, commercial and architecture.

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After that book was sent to White House, Dana designed a book featuring solely education work. For the cover she suggested one of my very favorite photos ever, from commencement at the University of Maine.   It has rained the day before the outdoor ceremony at Alfond Stadium, and puddles of water on the track produced artsy reflections of the graduates walking to their seats. It was a gamble, because most folks will probably have no idea what the cover is or how it was produced (a picture heavily Photoshopped? a graphic?), but I’m so glad she recommended it, as it turned out looking great. The gritty texture of the track provides a speckled backdrop for the outlines of cap-and-gowned graduates walking by.

The books feature very large photos–often just one per page, and Dana finished the package off with nice details; for example, my name and new logo are on the spine.

If you’re an art buyer, magazine photo editor, or other potential client and want to see my work in a form other than what’s online, please drop me an email or call and we can ship a portfolio to you right away.

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Please excuse the growing pains

After several years with Blogger, I’ve switched to Wordpress and enhanced it with a custom theme developed specifically for photographers.

The new blog will allow me to run photos much larger, install my own logo, and make many more choices that wouldn’t be available with my old Blogger site.  

Being totally new to Wordpress and the custom photography theme, I’m stumbling a bit. Hopefully it won’t take too long to find my way around.  

Also, we’ve imported some of the old Blogger posts, which worked for the most part, but the photos didn’t import. So, there is still a bit of tweaking to do to get things right.

Thank-you for your patience as I get things squared away.